It is frequently the tragedy of the great artist for example Vincent Van Gogh, as it is of the great scientist, that he frightens the ordinary man. If he is more than a popular story-teller it may take humanity a generation to absorb and grow accustomed to the new geography with which the scientist or artist presents us. Even then, perhaps only the more imaginative and literate may accept him. Subconsciously the genius is feared as an image breaker; frequently he does not accept the opinions of the mass, or man's opinion of himself.

If it should turn out that we have mishandled our own lives as several civilizations before us have done, it seems a pity that we should involve the violet and the tree frog in our departure.

Man no longer dreams over a book in which a soft voice, a constant companion, observes, exhorts, or sighs with him through the pangs of youth and age. Today he is more likely to sit before a screen and dream the mass dream which comes from outside.

The journey is difficult, immense. We will travel as far as we can, but we cannot in one lifetime see all that we would like to see or to learn all that we hunger to know.

The plan is not what you think.

In the days of the frost seek an minor sun.

Since the first human eye saw a leaf in Devonian sandstone and a puzzled finger reached to touch it, sadness has lain over the heart of man. By this tenuous thread of living protoplasm, stretching backward into time, we are linked forever to lost beaches whose sands have long since hardened into stone. The stars that caught our blind amphibian stare have shifted far or vanished in their courses, but still that naked, glistening thread winds onward. No one knows the secret of its beginning or its end. Its forms are phantoms. The thread alone is real; the thread is life.