Out of the choked Devonian waters emerged sight and sound and the music that rolls invisible through the composer's brain. They are there still in the ooze along the tideline, though no one notices. The world is fixed, we say: fish in the sea, birds in the air. But in the mangrove swamps by the Niger, fish climb trees and ogle uneasy naturalists who try unsuccessfully to chase them back to the water. There are things still coming ashore.

A man who has once looked with the archaeological eye will never see quite normally. He will be wounded by what other men call trifles. It is possible to refine the sense of time until an old shoe in the bunch grass or a pile of nineteenth century beer bottles in an abandoned mining town tolls in one's head like a hall clock.

It is a funny thing what the brain will do with memories and how it will treasure them and finally bring them into odd juxtapositions with other things, as though it wanted to make a design, or get some meaning out of them, whether you want it or not, or even see it.

Man would not be man if his dreams did not exceed his grasp... If I remember the sunflower forest it is because from its hidden reaches man arose. The green world is his sacred center. In moments of sanity he must still seek refuge there.

Man no longer dreams over a book in which a soft voice, a constant companion, observes, exhorts, or sighs with him through the pangs of youth and age. Today he is more likely to sit before a screen and dream the mass dream which comes from outside.

Mind is locked in matter like the spirit Ariel in a cloven pine. Like Ariel, men struggle to escape the drag of the matter they inhabit, yet it is the spirit that they fear.

For the first time in four billion years a living creature had contemplated himself and heard with a sudden, unaccountable loneliness, the whisper of the wind in the night reeds.