That's what they do to whatever I was - 19 or something. You're the baby hooker. You can ask any woman my age and we've all played baby hookers.

That's something that I learned when I was homeless. Hotels are awesome because they are going to let you in and you can use the bathroom and when you're young and pretty you can probably use the pool. Somebody might by you a drink.

I had seen Orange Is The New Black show on Netflix and the first thing that came to my mind was, "Why am I not on this show? It's just irritating me right now." So I made some phone calls and told them, "I want to be on your show." And they found a spot for me.

The thing is, if people get it right away, I just don't think you're making art. I think you're making something they're comfortable with. You have to challenge people. You know, it has to be new. It has to be something they haven't seen before. Just bring them something they haven't seen before. They aren't going to love it right away because they haven't seen it before. So they have to take a minute, you know?

When I was in the writers' room, all these writers were like, "Ugh, another star that they gave a writing-producing credit to." But then within like an hour, they were like, "You're really a writer." "Yeah, I really am. I'm a writer, and a director, and a producer, and an actor, and a painter, and I do all that stuff in the Lush Life." It was great.

There was a guy with mental illness in the middle of the street just yelling and hollering. I have a number that I can call - it's not 911 - to tell them, "You need to help this man get out of the street." But you have to be that person, you have to pick up the phone, you have to do it; you can't just walk by and act like they're not people. They're somebody's kid, somebody's dad, somebody's brother.

That's what they do to whatever I was - 19 or something. You're the baby hooker. You can ask any woman my age and we've all played baby hookers.