You can go back and try to generalize, but then you end up saying things that all editors say about everything that ever gets published. Something about voice, about urgency, about actually having a story to tell.
Lorin SteinWhen I was a book editor, I got used to being told that my tastes were dark or edgy. These are not words that would've occurred to me, but I was told that enough that I have to believe it's true - that I like things that some other people find off-putting or upsetting. My job is to publish stuff that I really, really care about. That might mean that it doesn't sit well with everybody.
Lorin SteinFor me the question that you have to ask, about any magazine, is whether it's needed, whether it's publishing things that no one else could publish, or publish equally well. So there's that.
Lorin SteinThere are two basic defenses for an open ending: one is, If you read carefully enough, you'll know what happened. And the other is, That's how life is: things don't come to neat endings, there isn't a "happily ever after." But if you take that second line of defense, then I think you have to make the point that the writer has shown the range of possibility.
Lorin SteinOur generation grew up with the Review as a fact of life. It was America’s literary magazine. To our minds, it still is. It has launched our favorite writers. It has made a special claim for the quarterly as such, being both timely and lasting, free of the news of the day or the pressure to please a crowd. Most of all, the Review has shown, repeatedly, that works of imagination can be as stylish and urgent as the flashiest feature reporting, and can do more to refocus our picture of the world.
Lorin Stein