I hate short hair on men - the 'real' man is something I don't know. My dad was always playing with hairbands, making rings, while the women were wearing jeans, white T-shirts and Converse. That was the uniform at home.

Music came as the best thing for me at home, where no one can tell you anything. For years I was so closed, wanting to do it exactly like I had it in my head, because this would be the only place that was superpersonal.

In a modern world where a majority of women say, 'I don't need you, I've got my money, I've got my stuff,' I say, 'I desperately need men.' My whole album is a tribute to men. It takes a man in me to tell you that I'm on my knees for men.

I love acting; I love movie sets and movies, but, at the same time, there's something about the position of women in that world that frightens me a lot. I find it nearly inhuman to be an actress.

I have a strong and strange character, and I've rarely met directors who knew what to do with this character. One of the few who did was my father, and in the theatre, Arthur Nauzyciel.

My mother always spoke to me in English, so it's technically my maternal language, and it became a kind of private language - I was happy that I could speak in English to my mum and the majority of people wouldn't understand it.

The whole point of art school is that you're going to be able to have nudes all day long and a teacher who is there to move you. It's great.