I have a strong and strange character, and I've rarely met directors who knew what to do with this character. One of the few who did was my father, and in the theatre, Arthur Nauzyciel.

I think I was pretty much hated in France. The French press ignored me. There was a movement when the children of celebrities faced strong animosity.

There's so many good books, but I'm always like, "I'm sorry, I have five more Faulkners to read, I can't be bothered." Most of the time when you try, you fall on the wrong one.

As soon as it's behind computers and machines, which the majority of the planet loves, I find it cold. I need to hear breathing. I like the idea of the mic being a captation of everything that's happening around.

I listen to a variety of music. The only common point is strong lyrics; I'm more obsessed with lyrics than music. I need to hear a form of truth, and if it's a hard truth, even better.

The whole process of music for me is something absolutely honest and really naked and bare, so I never forced myself to write in French.

Music always has to do with vibrations for me. I love to record everyone's heartbeats, in way. None of us beats at the same pace and a song is a magical moment where different entities, for a split second, meet up.