What art makes us see, and therefore gives to us in the form of 'seeing', 'perceiving' and 'feeling' (which is not the form of knowing,) is the ideology from which it is born, in which it bathes, from which it detaches itself as art, and which it alludes.

However much an ideologue tries to bury [Lenin] beneath a proof by historical analysis, there is always this one man standing their on the plain of History and of our lives, in the eternal 'current situation.' He goes on talking, calmly or passionately. He goes on talking about something simple: his revolutionary practice, the practice of class struggle, about what makes it possible to act on history...not to demonstrate that revolutions are inevitable, but to make them in our unique present.

If someone asks, ‘But what in the end is a philosopher?’ I would say ‘A philosopher is a human being who fights in theory.’

In the battle that is philosophy all the techniques of war, including looting and camouflage, are permissible.

Relations of production are first reproduced by the materiality of the processes of production and circulation. But it should not be forgotten that ideological relations are immediately present in these same processes.

Ideology... is indispensable in any society if men are to be formed, transformed and equipped to respond to the demands of their conditions of existence.

Philosophy is, in the last instance, class struggle in the field of theory.