Not too slow, not too fast. Kind of like half-fast.

When I go to the Gate, I'll play a duet with Gabriel. Yeah, we'll play 'Sleepy Time Down South' and 'Hello, Dolly!.' Then he can blow a couple that he's been playing up there all the time.

If I don’t practice for a day, I know it. If I don’t practice for two days, the critics know it. And if I don’t practice for three days, the public knows it.

It really puzzles me to see marijuana connected with narcotics dope and all of that stuff. It is a thousand times better than whiskey. It is an assistant and a friend.

You can't take it for granted. Even if we have two, three days off I still have to blow that horn a few hours to keep up the chops. I mean I've been playing 50 years, and that's what I've been doing in order to keep in that groove there.

I'll bet right now most of the youngsters and hot club fans who hear the name Storyville hasn't the least idea that it consisted of some of the biggest prostitutes in the world ... Standing in their doorways nightly in their fine and beautiful negligees -- faintly calling to the boys as they passed their cribs.

As many bands as you heard [in New Orleans], that's how many bands you heard playing right. I thought I was in Heaven playing second trumpet in the Tuxedo Brass Band -- and they had some funeral marches that would just touch your heart, they were so beautiful.