There's a fashion, or maybe you could call it a necessity, in French cinema to make social films, which is to say films in which the characters are defined by their social context.

Im interested in existential films: I love movies that console you in the same way that a person consoles a weeping child.

Sometimes living is not so light and easy and you need a representation of life in front of you. It's a fake reorganization of reality. You start to feel, "I'm not so alone in the world because I can recognize exactly the same feelings."

I think that what people abroad want from French film, inside French film becomes our worst fear, "Oh, another film about love!"

The separation of a childless couple is dramatic, but the separation of a couple with children is always tragic.

I wanted to be a lawyer. I love that job; I dont know why.

Because I'm Parisian, I wanted to show a Paris that I don't see at the movies, so I spent a lot of time looking for places that have never been filmed, for streets that have never been filmed because there's a thing about Paris, where it's kind of like a charming music box, this luminous cocoon, like those things that have fake snow in them that you turn upside down.