Architects in planning rooms today have forgotten their faith in natural light. Depending on the touch of a finger to a switch, they are satisfied with static light and forget the endlessly changing qualities of natural light, in which a room is a different room every second of the day.

Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.

You say to a brick, 'What do you want, brick?' And brick says to you, 'I like an arch.' And you say to brick, 'Look, I want one, too, but arches are expensive and I can use a concrete lintel.' And then you say: 'What do you think of that, brick?' Brick says: 'I like an arch.'

I try to create homes, not houses.

Thoughts exchanged by one and another are not the same in one room as in another.

I just want to make my last demand in reverence to the work of what has been done by architects of the past. what was, has always been. what is, has always been. and what will be, has always been. such is the nature of beginning.

Consider the momentous event in architecture when the wall parted and the column became.