When you are working on a script, the story itself is not difficult. You say this would happen and then this, resulting perhaps in this. And the dialogue you make as true as you can.

When you are working on a script, the story itself is not difficult. You say this would happen and then this, resulting perhaps in this. And the dialogue you make as true as you can.

I think predictability has become the rule and I'm completely the opposite -- I like spectators to be disturbed.

You see the world much better through a camera.

Memory is not frozen, it's very much alive, it moves, it changes.

It is only when memory is filtered through imagination that the films we make will have real depth.

You must find the note, the correct key, for your story. If you find it, everything will work. If you do not, everything will stick out like elbows.