The fact, and the intuition or logic about the fact, are severe coordinates in fiction. In the short story they must cross with hair-line precision.

It is not possible, for a poet, writing in any language, to protect himself from the tragic elements in human life.... [ellipsis in source] Illness, old age, and death--subjects as ancient as humanity--these are the subjects that the poet must speak of very nearly from the first moment that he begins to speak.

It is through the acceptance of a variety of aethetic and intellectual points of view that a culture is given breadth and density.

...in a time lacking in truth and certainty and filled with anguish and despair, no woman should be shamefaced in attempting to give back to the world, through her work, a portion of its lost heart.

True revolutions in art restore more than they destroy.

It is almost impossible for the poetess, once laurelled, to take off the crown for good or to reject values and taste of those who tender it.

What we suffer, what we endure, what we muff, what we kill, what we miss, what we are guilty of, is done by us, as individuals, in private.