Sometimes a person's monstrosity seems superhuman.

Women are strong, strong, terribly strong. We don't know how strong until we're pushing out our babies.

I make very involved drawings, even little structures, and try using design to figure out the rhythm of a plot. If there are several narrators then a clue has to pop up in the first line. There have to be certain grammatical clues, or distinctive names.

He despised his body for its boring hungers, reflex anger; its petty, obliterating rage. But now he'd become detached. He regarded his body with a tender regret. It was the thing his spirit had to haul.

my mind ran over scenes of Shesheeb seducing Margaret until I was a wagon dragged by the runaway horses of my jealousy.

...Grandpa's mind had left us, gone wild and wary. When I walked with him I could feel how strange it was. His thoughts swam between us, hidden under rocks, disappearing in weeds, and I was fishing for them, dangling my own words like baits and lures.

How come we've got these bodies? They are frail supports for what we feel. There are times I get so hemmed in by my arms and legs I look forward to getting past them. As though death will set me free like a traveling cloud... I'll be out there as a piece of the endless body of the world feeling pleasures so much larger than skin and bones and blood.