The story comes around, pushing at our brains, and soon we are trying to ravel back to the beginning, trying to put families into order and make sense of things. But we start with one person, and soon another and another follows, and still another, until we are lost in the connections.

I was the sort of kid who spent a Sunday afternoon prying little trees out of the foundation of his parents' house. I should have given in to the inevitable truth that this was the sort of person I would become, in the end, but I kept fighting it.

Where was I?""A different island," said old Tallow. Her voice was stern, but there was an ache in her look that Omakayas had never before seen. "An island called Spirit Island where everyone but you died of the itching sickness- you were the toughest one, the littlest one, and you survived them all.""You were sent here so you could save the others," she said. "Because you'd had the sickness, you were strong enough to nurse them through it. They did a good thing when they took you in, and you saved them for their good act. Now the circle that began when I found you is complete.

It's impossible to write about Native life without humor-that's how people maintain sanity.

When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape.

I always have some way of putting the stories together that works for the book. I've always switched points of view in my books. I'm a Gemini.

At times the whole sky was ringed in shooting points and puckers of light gathering and falling, pulsing, fading, rhythmical as breathing. All of a piece. As if the sky were a pattern of nerves and our thought and memories traveled across it. As if the sky were one gigantic memory for us all.