When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape.

You really need to approach each book as if you have been a failure. . . . If you start to believe your flap-copy, you're finished as a writer.

In our own beginnings, we are formed out of the body's interior landscape. For a short while, our mothers' bodies are the boundaries and personal geography which are all that we know of the world...Once we no longer live beneath our mother's heart, it is the earth with which we form the same dependent relationship, relying...on its cycles and elements, helpless without its protective embrace.

There is a legacy of violence against native women that has gotten worse and worse over time.

At times the whole sky was ringed in shooting points and puckers of light gathering and falling, pulsing, fading, rhythmical as breathing. All of a piece. As if the sky were a pattern of nerves and our thought and memories traveled across it. As if the sky were one gigantic memory for us all.

It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.

[On her and husband Michael Dorris:] We both have title collections. I think a title is like a magnet. It begins to draw these scraps of experience or conversation or memory to it. Eventually, it collects a book.