Only do it if you absolutely have to, because you are gonna eat rejection every single day. And it's not easy eating that rejection every single day because it hurts. You have to learn not to take it personally. And that is a very hard lesson to learn.

From the time I was very young, maybe five or six, I thought a lot about being an actress. I didn't tell my friends about my ambitions, though, especially when I got older, because I thought they would not receive them well. I never talked about what I wanted to do.

My interest in acting was overwhelming, but I wasn't thinking, "I'm going to California and I'm going to become a movie star." Things were different then. I lived just for the moment, and whatever happened, happened.

If I fell down and hurt myself, I never cried. There was no one to hear me.

She and my uncle were very sociable and would have a lot of people over at night to play cards or whatever. The high spot of those evenings was when we kids got dressed up to do a skit or something to amuse the guests. I loved it.

Only do it if you absolutely have to, because you are gonna eat rejection every single day. And it's not easy eating that rejection every single day because it hurts. You have to learn not to take it personally. And that is a very hard lesson to learn.

Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.