The advantage of poetry over life is that poetry, if it is sharp enough, may last.

We look at the world once, in childhood. The rest is memory.

The master said you must write what you see / But what I see does not move me / The master answered Change what you see.

I am attracted to ellipsis, to the unsaid, to suggestion, to eloquent, deliberate silence. The unsaid, for me, exerts great power: often I wish an entire poem could be made in this vocabulary. It is analogous to the unseen.

Tonight I saw myself in the dark window as the image of my father, whose life was spent like this, thinking of death, to the exclusion of other sensual matters, so in the end that life was easy to give up, since it contained nothing: even my mother's voice couldn't make him change or turn back as he believed that once you can't love another human being you have no place in the world.

As I saw it, all my mother's life, my father held her down, like lead strapped to her ankles. She was buoyant by nature; she wanted to travel, go to the theater, go to museums. What he wanted was to lie on the couch with the Times over his face, so that death, when it came, wouldn't seem a significant change.

The advantage of poetry over life is that poetry, if it is sharp enough, may last.