You know, it's not my film [Valerian], it's really their film. It's very strange. And maybe because it's more when you comes to the Marvel films it's way much more organized and plan, you know, they planned. Okay, we have Thor here, we have this and then we do The Avengers, and then we group. You know, it's much more organized. So maybe there is a little less freedom at the end for the creative people. Where I did the entire opposite. I let them help me, you know. So that's also why maybe they were so involved.

We were so ready [with Valerian] that we were early, which is unheard of in the history of the sci-fi film.

Cara [Delevingne] I wanted to be sure that she would be involved. 'Cause she didn't do a lot of films before I met her, so I didn't know if she was serious and so I push her a bit.

When I got the camera on the shoulder, they give me a nickname. They call me 'the tripod' because I'm kind of short and kind of strong. So if I take the camera and I lock myself, you think that you're on a crane.

My biggest surprise is probably the level of involvement of all the artists [in Valerian] who participated at every level.

I think it's the society that drains us out, and we are in a society where we are driven by money.

I have like 10 actors and 100 aliens in the film [Valerian]. And they come from the four corners of the universe. Some of them are liquid. Some of them are just [so visually] crazy.