I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing.

Boulez seemed to me to be a guy who wrote laws. Like a company lawyer.

Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive.

I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it.

Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character.

I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too.

So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own.