I never know when I'll find myself jumping out of a helicopter or something. It's like we're making a new action movie every week, which is pretty thrilling.

I don't want to be a part of something I don't want to watch.

I will say this: basically there in [MacGyver] was an idea and it was executed with a bunch of different things in mind, and that's where I will stop talking, because if I were to continue it might sound like I would be slagging off all of these people that I worked closely with, who did such a great and amazing job in their own right.

I don't really like to watch myself.

On the first one, X-Men: First Class, it would be James McAvoy, Nicholas Hoult and I. I'd basically inhale, there would be a red flashing light, and then the stuff at the end of the hallway would just blow up. It really felt like I could do those things, but, sadly, I can't. It was a lot of fun; I got to play a superhero that I was familiar with since I was a kid. It doesn't really get much better than that.

Truthfully, in the beginning [of MacGyver] this could have gone either way, and as it turned out there was a version that was done wrong, which I'm not even going to get into. It was a pretty good idea and I liked where it was going, but then we got a chance to restart with Peter Lenkov [as executive producer/showrunner], who brought his vision to it. I remember reading his pilot script and it was just so exciting that I started hopping around my room.

Actually there were [ in MacGyver] a lot of things about the original that focused on the character, but not too many people seem to remember that.