The aura given out by a person or object is as much a part of them as their flesh.

The character of the artist doesn't enter into the nature of the art. Eliot said that art is the escape from personality, which I think is right. We know that Velázquez embezzled money from the Spanish court and wanted power and so on, but you can't see this in his art.

The only secret I can claim to have is concentration, and that's something that can't be taught.

The longer you look at an object, the more abstract it becomes, and, ironically, the more real.

What do I ask of a painting? I ask it to astonish, disturb, seduce, convince.

Everything is autobiographical and everything is a portrait.

I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of the sitter, being them ... As far as I am concerned the paint is the person. I want it to work for me just as flesh does.