Maybe our Earth is totally alone in the universe.

I try to simplify things for the children. For instance, [I arrange] for them to have almost no dialogue, or to somehow give them very precise indications, because usually they ask for that.

I think sometimes there are films where I understand what they are about, but there are also some mysterious areas in the film where I haven't got the whole image and I haven't got everything. And then it stays much longer with me, because I have to somehow put myself much more into the film to get it. And so this is what I'm trying to do with my films.

I'm very interested in talking about children in this moment where you are going to become a teenager, and I think it's very relevant to use a fairy tale to talk about that.

When I was a child, I had a quiet, protected childhood.

I had good parents. Nothing terrible happened. But I had the feeling that they kind of protected me from reality somehow.

It seems to me that [my films] are talking about very simple and, I hope, universal feelings. And at the same time, even though they are set in a very weird world with elements that are irrational, at the same time, it's very close to an ordinary world. And I like to have this third feeling of mystery.