I started writing more with my voice in mind.

When I started out playing guitar and singing, I was about twelve, going on thirteen. The role models for me back then were the folk singers. They all had these high, really nice voices and ranges, like Judy Collins and Joan Baez, and then later, of course, Joni Mitchell and Linda Ronstadt. I decided early on that I was going to learn how to write songs really, really well, because I didn't want to have to compete as a singer. I didn't feel that it was my strong point.

We just did a few takes of a song and just picked the best one. It was real organic and genuine.

I've had trouble being in relationships and writing. This has been a real problem for me. I don't know if it's because I'm not free to fantasize or create these fantasy things about other people

I grew up around poets and novelists and my dad wrote poems about everything - from a cat sleeping in a window to a car wreck he passed on the highway. I learned not to censor myself: that was one of things I learned in my apprenticeship, my creative-writing apprenticeship with my dad.

I'm dealing with things as they come along, and I'm talking about it

Above all, the listener should be able to understand the poem or the song, not be forced to unravel a complicated, self-indulgent puzzle. Offer your art up to the whole world, not just an elite few.