I write about what I know and also what I don't understand. Emotions for what has transpired.

The consumption of information, films, music has been changing in recent decades. It's hard to know what will become the film that can not easily reach [audiences].

I write about what I know and also what I don't understand. Emotions for what has transpired.

My love of storytelling comes from oral tradition, the stories from my grandmother and conversations with [my] mother. The world is full of discussions of condensation, drifts, misunderstanding, repetition. These are the materials I work with. My debt is to these women.

Without doubt, in animation each frame is important, every movement defines the character.

I am concerned that a film without an large advertising [budget] can not establish a connection with contemporary audiences, of course.

Emotion and thinking are not distinct substances.