Follow Through is elegant, sure footed, smart—a nest of sticks that won’t stay sticks—a nest of sticks that snowballs—scary and marvelous.

For a really long time [before writing the novel], I was watching a lot of serial killer movies and I started to wonder if this was a trend and if other people were doing the same thing. That's what happens when you suddenly have a critical perspective on your own behavior.

The story, I like to say and remember, is always smarter than you—there will be patterns of theme, image, and idea that are much savvier and more complex than what you could come up with on your own. Find them with your marking pens as they emerge in your drafts. Become a student of your work in progress. Look for what your material is telling you about your material. Every aspect of a story has its own story.

If you think it's worth writing a book about then that means you suspect that you're not the only one. You suspect that it has something to do with the larger patterns of your culture.

One of the reasons I like to hang out with scholarly types is they can do a broad reach conceptualization of things that is astonishing to me. I'm really good at the particulars but I have to do an immense amount of critical thinking to make something larger of it.

I think there is something about being described and having your abilities described as something definable. I was diagnosed at about six, when a teacher couldn't understand how I could be a bright girl and yet couldn't read yet. I did that whole backwards letters thing. I used to sit in the same place when I did homework because I remembered that B's went towards the window and D's went away from it.

I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.