Producing is like pushing jello up a hill on a hot day.
I try to distinguish my characters from each other.
The neck is kind of what's sexy in Japan, so you have to have the kimono a little bit back. It was just a whole different way of appealing to what was sexy.
Once you embody the language, the character comes really naturally, especially when you put the costume on.
I've definitely become much more aware of physical stunts.
If you see the Sopranos, you're not going to be speaking in the Shakespearean English.