I don't know, I don't want to talk as much. (...) It's nicer to think dear, pretty thoughts and keep them in one's heart, like treasures. I don't like to have them laughed at or wondered over.

I'd write of people and places like I knew, and I'd make my characters talk everyday English; and I'd let the sun rise and set in the usual quiet way without much fuss over the fact. If I had to have villains at all, I'd give them a chance, Anne--I'd give them a chance. There are some terrible bad men the world, I suppose, but you'd have to go a long piece to find them...But most of us have got a little decency somewhere in us. Keep on writing, Anne.

But the worst of imagining things is that the time comes when you have to stop and that hurts.

Those who can soar to the highest heights can also plunge to the deepest depths and the natures which enjoy most keenly are those which also suffer most sharply.

Do you know what I think Mayflowers are, Marilla? I think they must be the souls of the flowers that died last summer, and this is their heaven.

My life is a perfect graveyard of buried hopes.

…I'm sorry, and a little dissatisfied as well. Miss Stacy told me long ago that by the time I was twenty my character would be formed, for good or evil. I don't feel that it's what it should be. It's full of flaws.' 'So's everybody's,' said Aunt Jamesina cheerfully. 'Mine's cracked in a hundred places. Your Miss Stacy likely meant that when you are twenty your character would have got its permanent bent in one direction or 'tother, and would go on developing in that line.