There is indeed something omnivorous about the act of photography. It offers a way of responding to everything about everything.

Despite having been awarded the dubious honor of arthood, all photography is still perceived as having one foot in the real world, a toe in the chilly waters of verisimilitude, no matter how often it is demonstrated that photographs can and do lie.

I must admit to a personal lack of sympathy with women who have themselves photographed in black stockings, garter belts and boots, with bare breasts, bananas, and coy, come-hither glances.... A woman using her own face and body has a right to do what she will with them, but it is a subtle abyss that separates men's use of women for sexual titillation from women's use of women to expose that insult.

Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or ‘dematerialized’

There is indeed something omnivorous about the act of photography. It offers a way of responding to everything about everything.

The camera was another weapon in the wars of domination.

Photographers find themselves directly in competition with mass media's misrepresentations of women. So the photographic terrain is particularly contested from a political point of view.