As an actress, I think I really understand that stage where you think you are picking reality in order to feed the fiction, but it happens to be the contrary. It's the fiction that suddenly feeds your reality. And you don't know how it has been done. That's the kind of magical transposition that is art.

As an actress, I think I really understand that stage where you think you are picking reality in order to feed the fiction, but it happens to be the contrary. It's the fiction that suddenly feeds your reality. And you don't know how it has been done. That's the kind of magical transposition that is art.

When I was in my 20s, I thought that being known for 'Swimming Pool' was kind of a burden. Like, OK, everyone thinks I am this tanned bimbo and I was having problems coping with that image.

I would love to meet some directors, and why not do some other movies in America? But, I'm not obsessed with this idea. I'm feeling very free in Europe.

I hate to recreate the whole world into my imagination.

Having a movie that lasts and makes your image imprinted into the history of cinema, it's very positive.

When you get quick fame and success and exposure, it makes you feel dizzy, and I didn't want to lose my balance 'cause that's something I've been struggling with for so many years. I'm not fond of the idea of making it in Hollywood. That's not my aim; otherwise, I would have settled down in Los Angeles.