Usually the Indian people are outsiders who have to look up at the people who look down.

I am an architect. I try to feel the transparency in contemporary buildings and I try to understand the transparency in Zen poetry. I just want to mix all those things.

I am a postmodern romantic. I try to use their way to photograph, and at the same time, incorporate the problems that I feel in a country like Guatemala.

If you can explain a poem, it is not a poem. Poetry has to be inexplicable.

I think it's impossible to know the destiny of things.

It's very hard to try to be a cultural . . . people who organize cultural things . . . it's very complicated. And more so in a country like Guatemala.

I think my relationship with life has changed - I want to make more complex images than before. Complex in the sense that I try to put in a lot of information, sometimes contradictory information.