I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.

I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.

I like both music and acting, and they both have a lot in common - timing, immediacy, stuff like that. But acting is more regimented. You wait around for hours, you don't get to write the script, you get hired. Music represents me better. I'm not acting; I'm just expressing myself.

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

A low budget is uncomfortable.

One day when I was like 9, I heard the Beatles on the radio, and I asked my dad who they were. He told me they were the best band in the world, and I became obsessed. He started giving me their albums in sequential order, and I listened to them - and only them - until I was probably in high school.

I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.