It's not that photography recaptures the world you have been in; more that it creates a new one: photographs are like Post-It Notes reminding us of the deep architectonic forms of space and thought.

You're beautiful, but you're somewhere else. That's okay. I can handle that. But we won't continue as friends, not just now. I like you as a lover, not a friend.

I learnt too late that what is most important to us is always most precious at the moment it occurs, and it is precious in its absolute immediacy and not as some vague confirmation of future directions; since the only certain fact, aside from death, is the flimsiness of everything.

For the Tintin books were my emotional universe. To read them felt quite simply like being loved: in advance and by an entire world of pure possibility, my future. But to write to the author was to reach out for the lover. Even today, the power of reading one remains visceral: each book acts as a form of transportation, not just to the emotional landscape of this first literary love affair but to very specific memories.

And I come to realise that all my small todays, the way I act, will lead into my tomorrows.

I will meet you on the nape of your neck one day, on the surface of intention, word becoming act. We will breathe into each other the high mountain tales, where the snows come from, where the waters begin.” -In the yellow time of pollen

What passes relentlessly through the years is blood, and time; all the bitterness or warmth along the way is almost incidental. Even blood gets forgotten eventually, bleached into myth which are bleached of all colour into ashes of myth.