I do not comment on my client's personal lives in the media. As for Luke, he did so once, a long time ago when he was an inexperienced, young actor and now with maturity and hindsight, he has learned not to engage the press in his personal life again.

Directing is something I've sort of always felt like I'd like to do at one point and I thought the best way to start it is to write something myself or with someone and I'd go from there.

On Broadway and in the United States it's very different - people crossover all the time into television. I think that we'll get there [in London] in the end, but it has to start with who comes to see you in the musical and whether they can see beyond the dancing and the singing.

I think the best directors rarely loose their temper. I think the best directors provide you with a safe environment where they can instill you with confidence and allow you to try things out and not feel like your failing or that you're doing it wrong.

You can over complicate everything with techniques; when you're in the moment, you have to feel that you are that character, that you're feeling the pain or the happiness or whatever it is that they're feeling in that moment. Usually the authenticity will manifest itself.

With everything you do as an actor, you obviously know the full story. But the person watching it doesn't, necessarily. So, you just have to discipline yourself to wipe the slate clean as you go along.

I'm an only child. My mum and dad are six in each family. They're both twins, and they only wanted one. I always say to them though that they're lucky - it could have all gone wrong.