I absolutely loved it, and I loved the way the character of D'Artagnan had been portrayed. I was just well up for it. So, I went in and met (director) Toby [Haynes], and as soon as I got into that room, to see how excited everybody was to get this underway and onto the set, it just drew me to it, even more. It was an instant attraction, so I was delighted when I got the offer.

I did enjoy cooking, I still do really enjoy cooking - I make a nice salmon dish, and Im a huge meat freak, so I love to bang a few steaks on the grill or pasta. Anything Italian, really.

When it comes to dating, Im straightforward and traditional with a twist.

D'Artagnan is the youngest of the four, and they're like his big brothers. They bring him up and teach him the ways of what it's like to be a Musketeer, and he embraces it with open arms.

He [D'Artangnan] succumbs to her [Miledy Winter] level of seduction and gives into it. It's only when the series starts to progress that he realizes what she's doing, and the tables turn slightly. But that relationship really pays homage to how D'Artagnan can be easily swayed. You see him grow into somebody who can actually make a decision where he's not being used and forced into doing something that he doesn't want to do.

There's really quite a beautiful marriage between Milady's ingenuity and D'Artagnan's immaturity. When they first meet, she's trying to frame him. She's using him for a certain reason. They haven't just met by coincidence. She's singled him out for a reason. She knows that she can almost make D'Artagnan do what she wants to, and that's when D'Artagnan's immaturity comes out.

But as we went on, and you keep practicing and rehearsing more and more fight scenes, it clicks and you just get it. It's almost like a soccer game. If you take enough shots on target, one of them is going to go in. As soon as it does, something happens and it just registers. I found it a lot easier after that, which was about three-quarters of the way through the shoot.