When you do a comedy, the goals are much clearer to me.

To me it comes naturally, the peaks and valleys, sadness with happiness. I've definitely had periods, maybe, where I haven't been happy. Whether it's from a breakup or the good, old-fashioned blues - but I wouldn't say clinically depressed.

I've worked on movies that are being rewritten as you go, but you take so long and so much time doing it, that it's not really an issue knowing what's going to happen or how the movie is going to end.

I'd always envied actors who got to play real people or got to do research. I've always just had these scripts where, I mean not in a bad way, but it was right on the page.

I never had to say to myself, 'OK now, I've got to grow up and work for a bank, or go and sell real estate.' I never had to make that kind of break.

That's one of those things that will really hurt me personally, if I label a character or think about what it might do if it were to do well. I just try to do a good job with it.

You're making movies for 15 years and now people are like, 'You're the AT&T guy.'