I spent so many years with people saying, 'Hey, you're like America's boyfriend!

Sometimes when you get on a new movie you kind of how to figure out the way other people work and it can be like being the new kid in high school where you're just trying to find out where your place is on the movie or on the set.

Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.

My dad was in a fraternity back in the 1950s, and they sound really fun back then. Nowadays they sound like they can get a little heavy-duty in terms of the hazing and the drinking. Im not so much into the idea of being made to do a bunch of insane stuff just so I can have the privilege of hanging around certain people... Thats probably why I was never in a fraternity.

I've worked on movies that are being rewritten as you go, but you take so long and so much time doing it, that it's not really an issue knowing what's going to happen or how the movie is going to end.

That's one of those things that will really hurt me personally, if I label a character or think about what it might do if it were to do well. I just try to do a good job with it.

Oh, absolutely. James Caan was the first movie star I'd ever met, much less worked with. He was an important person to me and my brothers and Wes. Bottle Rocket was the first movie for all of us. As you know, back then, [Caan] was having some career changes, I think.