Words are delicate instruments: How to use them so that, after having read the poem, the taste remaining is not of the words themselves, but of a thought, a situation, a parallel reality? If not used appropriately, words in poetry are like the ugly remains of food after eating. What I mean is that readers will reject words if they don't serve to shift attention from themselves to somewhere else.

Each language has its own temperament; some languages make a poem more dramatic or sad, and others make it more playful.

Childhood is usually identified with fantasy, adventure, and dreaming. But mine didn't offer a lot of hope. I could read my future in my palm. Everything foretold: "You have no future!" A person must be very strong to keep going without hope.

We usually understand freedom as meaning that there are many choices - but does having more choices, or believing we do, actually make us more free?

To me, poetry is a rational act. I never write a poem if I'm not sure what I am going to say or what I want to communicate.

Jean-Paul Sartre said that France was freer than ever during the German occupation, when people had no choices but one: to collaborate or to resist. I'm not saying there was something good about that system. But the freest people I've ever met, or knew about, belonged to that period. For example, Musine Kokalari, an Albanian writer who dared to fight for political pluralism and free elections. She created the first social democratic party, despite knowing the high price she would have to pay.

Years ago, I thought that if a person had experienced injustice in her life, it meant she would be fair, because she would know what it meant to be a victim of injustice. But now I am not so sure. Experiencing injustice can also make a person dangerous. Carrying a sense of revenge and anger can make a person victimize their own self.