Words are delicate instruments: How to use them so that, after having read the poem, the taste remaining is not of the words themselves, but of a thought, a situation, a parallel reality? If not used appropriately, words in poetry are like the ugly remains of food after eating. What I mean is that readers will reject words if they don't serve to shift attention from themselves to somewhere else.

Years ago, I thought that if a person had experienced injustice in her life, it meant she would be fair, because she would know what it meant to be a victim of injustice. But now I am not so sure. Experiencing injustice can also make a person dangerous. Carrying a sense of revenge and anger can make a person victimize their own self.

Very often I hear talk about female literature, or femininity in literature. It's a categorization I am not sure about. Maybe there are a few elements that distinguish women's observations from men's, like the ability to notice some fine details.

Words are delicate instruments: How to use them so that, after having read the poem, the taste remaining is not of the words themselves, but of a thought, a situation, a parallel reality? If not used appropriately, words in poetry are like the ugly remains of food after eating. What I mean is that readers will reject words if they don't serve to shift attention from themselves to somewhere else.

I come from a culture that was isolated for a long time - I have my own story to tell, in my own style, and an aesthetic approach that was mostly self-taught. So, does it fit a reader's curiosity? Will it meet their expectations?

Each language has its own temperament; some languages make a poem more dramatic or sad, and others make it more playful.

We usually understand freedom as meaning that there are many choices - but does having more choices, or believing we do, actually make us more free?