When I started making my own music, I was more about recreating what I was hearing. I noticed that I had some control over what I was saying, and the effects that it's going to have on people. I wanted to focus more on the positive side of things, which are more in tune with my morals and ethics.

With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.

America is not all white people. It's not all black people. It's not all Mexican people. We together, and we all relate on certain levels, so if you actually scaring people away, they can't relate to what you're saying.

Some people are the greatest people on Earth with good hearts and will get in the studio and make the most negative music in the world for the sake of success. That's what the music business does to you. That's what capitalism does to you.

I don't mind payin' for the police and for streets and sanitation, or road work, bridges, trains, food subsidies and welfare. But I don't wanna pay for bombs to fight proxy wars in the middle of nowhere against enemies in the night.

I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.

True terrorism, you know, weaponized fear. In defense of ourselves, we're fighting - actively fighting something else. But if you're going to fight terrorism, to me, you fight the root causes of terrorism.