I got into skateboarding when I was like a shorty. It was a toy thing.

I love her (Lucifer), with all my heart. She said that she would give me greatness, status, placement above the others.

When you understand that your tax dollars pay for those tear gas canisters that were being fired into the crowd, and when you see that, and to know that a little bit of your fingerprint, your American DNA is a part of that, as well as those stealth bombers and that bomb that's lodged in the side of the school that has "Made in USA" on it in Gaza, and all of the unmanned drones that are blowing up weddings and things of that nature, to know that you pay for that, you really have - you don't have to do it now, but you need to think about that.

There is no line of demarcation between the amateurs and the pros; everyone is using the same tactics and playing in the same arenas. The only thing that separates them is radio, but the artist doesn't control who goes to radio and who doesn't.

With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.

I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.

What starts in clouded minds finishes in the rain