To me, you can't win. You can't win. There's a war in Iraq; there's no way that they're ending that. The war in Afghanistan is still going on. There's no way that's going to end anytime soon. You can complain about it, you can throw rocks at it, but you really have to come to the conclusion that this is a really twisted place sometimes and some stuff you're not going to win.

It definitely wasn't like, 'Hey, I'm going to steal that, and nobody's going to know.' The original 'T.R.O.Y.' came out in 1992, and it was like a 20th anniversary kind of thing. All of those intentions were there for it to be resurrecting a classic for a new generation. I tried to honor it.

Faced with the way the system does you in the 'hood sometimes, if you don't literally get out, your chances are slim. You'll definitely die mentally. You'll pretty much die physically.

I have yet to see someone attack Obama over his report card. A lot of people I talk to from both sides of the fence are like, 'Well, what about this economy? What about these incidents?' There are still no answers except time, but time is the answer for everything.

It's a massive undertaking putting an album together... It's not light weight at all.

Your child’s future was the first to go with budget cuts.

I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.