I've always had this deep and chronic sense of dissatisfaction.

I actually would love to live in New York. But I need land; I need space. I'd love to move to a place where I could have a lot of land and a goat.

I pray to be of service to the playwright, the audience, the other actors and my character.

I personally take cues directly from the script, then I like to surprise the other actors. But you must maintain control on a level and see how far you can go up, down or out emotionally. You have to balance the craft with spontaneity.

What I love about theatre is that it disappears as it happens.

College was a great time. I partied there, but I also learned how to act.

What draws me to the theatre, and what appealed to me about Too Much Light, is that you have no idea what's going to happen. That's the most exciting part of theatre, it's never the same. If it were, it would be like watching a movie.