I guess it's pretty diverse, but I do have quite a 30-and-older male audience coming out to the shows. I don't know if that's due to me being a female or what.

I was just staying home and getting stoned and drinking. It was a pretty rough period. I think that's kind of the whole theme of Indestructible Machine, how when you have social anxiety, you can sort of convince yourself that you've gotten over it by drinking a bottle of whiskey, but once you sober up you're still terrified of everything. Hence you're treating your body like it will never die. I think I have gotten better, just from touring so much, but I still definitely have the skittish nature.

When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.

When I was in Coshocton as a kid, I was like, "God, I need more than this out of life." But now that I'm in the city, I'm like, "God, I'd love to just be able to run around naked and shoot a gun in my backyard again."

My guitar player calls the process of writing lyrics based on another story, "filling up the well" when you can get inspiration from other people's art without stealing, more being influenced by it.

My parents listened to the Outlaws when I was a kid and I just had no interest in it. But my boyfriend at the time listened to Hank Williams III, and I thought that was really cool because he was singing about whatever he wanted to but it was very country.

When you move to the city, you really notice how ugly people can be. And that's something you don't really have to deal with in the country. So I do miss that.