For us what we're trying to do is find the right balance of creating a space for emotion that leads to a sense of empathy and solidarity rather than a sense of division. In my most grandiose moments I think of HuffPost as a platform that makes solidarity possible, that really thinking about the emotional content of stories is a way to help people who think, or who have been manipulated to think, that they're interests are opposed to one another, that they actually are aligned in a fundamental way and they're actually in the same boat.
Lydia PolgreenAbility to have that sort of feedback loop with your readers to me felt incredibly powerful.
Lydia PolgreenI think the real sort of decision moment for me was president Donald Trump election night and just realizing that there was something happening in the country and in the world that had a very deep relationship to the nature of the current media landscape and that this opportunity that was in front of me could be a place to try to work on that. To try to fix what was going wrong and, or at least make an attempt.
Lydia PolgreenI have this very kind of like heterodox idea of what an education is, what underpins identity. I don't think I'm very easily pigeon holed in any of those boxes, so I confront this. I have a staff full of young people who came up in a very different tradition and who feel very fired up about the big identity battles. I listen and I try to navigate them, but I don't find them mapping onto my life in a personal way which is, which is hard.
Lydia PolgreenThe level of dependence on government among rural populations is actually extraordinary. They suffer even more when that assistance is taken away because they don't have access to the economic dynamism of cities. So if there are ways to tell stories that help people in rural areas see their kind of mutual need for care, that to me is the kind of thing that I want HuffPost to try and do.
Lydia PolgreenI think facts and truth are essential to journalism but you need to reckon with emotion. You have to deal with how people feel, otherwise you miss the story.
Lydia PolgreenOnce I came out in college I just have always been out and at work with pretty much everybody. My wife and I both working as journalists, because she's a photographer, and often working together, would have to kind of navigate this weird world. When you're trying to develop sources, when you're trying to you know make personal connections with people, you inevitably want to share things about yourself and that can be really tricky.
Lydia Polgreen