The New York Times I think really is the gold standard of a certain type of journalism and in some ways it's the most important type of journalism, this chronicle of the biggest and most important stories of our time covered with a level of rigor and seriousness that is really unparalleled.
Lydia PolgreenOnce I came out in college I just have always been out and at work with pretty much everybody. My wife and I both working as journalists, because she's a photographer, and often working together, would have to kind of navigate this weird world. When you're trying to develop sources, when you're trying to you know make personal connections with people, you inevitably want to share things about yourself and that can be really tricky.
Lydia PolgreenTo me we're living in this very profoundly non-idealogical time where the real divide is between people who have power and people who either don't have power or feel that they don't have power.
Lydia PolgreenI have this very kind of like heterodox idea of what an education is, what underpins identity. I don't think I'm very easily pigeon holed in any of those boxes, so I confront this. I have a staff full of young people who came up in a very different tradition and who feel very fired up about the big identity battles. I listen and I try to navigate them, but I don't find them mapping onto my life in a personal way which is, which is hard.
Lydia PolgreenI have a perhaps naive point of view informed by my own kind of snowflake-in-the-unique-sense rather than the political sense, personal story. I mean I feel like my experiences are so hard to map onto any kind of generalized identity. For example, I'm a black person, but I come from a very particular black experience which is not unlike the experience of the Barack Obama. I have an African mother and a white father and I feel like I have a different experience of being a black person as a result of that identity than someone who is from the descendants of slaves.
Lydia Polgreen