I had to do this album. I tried thinking, "I'm not going to do it." But then I'm sitting there getting all suicidal and depressed, and I just start writing. It's like this inner drive. If I could choose, I would probably be living in the countryside and be fine with that, but I'm not.

In every person's life, around 27 to 29 years old, the stars and the planets align themselves to exactly the way they were when you were born. You're faced with yourself. There's no running away.

I relate to hustlers who want to get out of where they are and create something different for themselves.

I'm a girl from Sweden. I took a lot of risks and went to New York by myself when I was 19 just because I read about it in a few books. I came here knowing nobody, having no money, and now I'm doing all these things like making records and videos every day.

I was totally romanticizing the idea of Los Angeles when the Doors, Joni Mitchell, and Neil Young were hanging out there.

I had a period after touring the first record where I didn't agree with the way things worked in the music industry as far as how you release music, demand, the pace of everything. You don't know who's talking to you. Who's Spotify? Who's iTunes? Who are all those bloggers? Who says I have to do this? Why do you have to do all this press? Why do I have to do so many shows? Why do I have to do a regular album right now? I don't understand it.

Los Angeles is such a mysterious place because there's so much evil in that city, but there's also so much light. You can be totally alone on a hillside and I love that kind of secluded, deserted rawness.