Just because it’s a unique perspective doesn’t mean it can’t offer something universal.

In the business of war, the role of women is really to maintain normalcy and ensure that there is cultural continuity.

Hopefully this is going to be a trend, the beginning of a movement to reclaim theater for the artist and not commerce. I think there's a level of fatigue. Artists are tired of having to create work that's then coopted by commercial demands. When you begin souping up the car, the car no longer feels like your own.

I want the audience, when they leave, to think of the characters on the stage in three dimensions. I want them to have empathy. I also want them to think about engaging more with where we are culturally.

If you lead with the anger, it will turn off the audience. And what I want is the audience to engage with the material and to listen and then to ask questions. I think that 'Ruined' was very successful at doing that.

It's much easier to conjure characters strictly from your imagination than to have to think about whether you're representing people in a truthful way.

A play that forces us to question our moral responsibility to the victims of human rights abuse.