I think about material that could work in the novel or story as I'm writing. I see if I can get there through what's happening with the character. But it's by inclination. It's not "At this moment this will happen." Usually with my characters you can't tell what has induced them to do anything. That's because, from my understanding of reality - which is always subjective - everything is overdetermined.
Lynne TillmanThere's not usually one reason why we do anything and, in fact, often we don't know why we've done what we've done, especially what we have said or why, for instance, in conversation, which can be very tricky. Finally, we say something and think, "Why did we say that?" In retrospect we might know.
Lynne TillmanIt wasn't that I wanted to be an artist. But when I took my first drawing class with the painter Doug Ohlson, I could never finish a drawing.
Lynne TillmanWriters don't want to appear to be stupid. I don't know - maybe people become writers so that they can prove that they're not. Of course getting a book published doesn't mean that they're not stupid. At a certain point you have to stop trying to prove something and write because you need to think about something and want to communicate, in a very broad sense.
Lynne TillmanI've always liked elliptical writing, whether it's Kafka or Paula Fox, and I'm often bored by writers who explain too much. I think that becomes journalism. Mostly I don't try to explain to readers who somebody is - I just write about the somebody. I'm thinking through ideas. And I have the sense that, if you're reading this, you have some interest.
Lynne Tillman