I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.

I also think that the issue of doubt and uncertainty is always a good thing and I question why I believe what I believe. I see things changing all around me and I don't feel devoted to a form. If I'm devoted to anything, I'm devoted to the attempt - the "trying" to do something.

Nothing is a matter of age. It's really in the person because you can publish book after book after book and still want that golden apple. And maybe it's the reality principle that has hit me. I believe that a career is very different from writing. My career is a certain kind of career.

I subject my sentences and the words to a kind of Grand Inquisition.

I'm bothered, as a reader, when I feel the writer is filling in too much. Again, whether it's nonfiction or fiction, I think writers are providing a kind of template or platform for thinking and imagining.

I learned to write from reading. I had no writing classes. It's part of my thinking as the writer-author, reading, but then I also want to bring this into my characters, who also read and think. There's that great quote from Virginia Woolf - it's very simple: "...books continue each other." I think when you're a writer, you're also, hopefully, a reader, and you're bringing those earlier works into your work.

You have to create the space for the possibility of people speaking as they do. If writing is supposed to lead us in any way or educate or suggest other ways of being, it can't do so by simply reflecting what's considered to be realistic.