Predominantly in the West, if you can only have creative voices that are either black or white, I'm going to say whatever the f - k I want, because no one's going before you, and if no one's coming after you, I'm just going to be the freakiest of all freaks!
M.I.A.I come from a generation where you put the art out and had the luxury to sit back and watch the world deconstruct it, and that was valued. Unfortunately now the work lives in a weird context.
M.I.A.I think I have to expand my creativity a bit, because it's difficult for critics to be, "Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos." They funnel me through, "Oh, is it as good as blah-blah's record, which has had 50 million writers on it?"
M.I.A.Nike is the uniform for kids all over the world, and African design has been killed by Nike. Africans no longer want to wear their own designs.
M.I.A.Now, [hip-hop/grime artists] Stormzy, Skepta, or the Section Boyz have to be validated by Drake, Rihanna or Beyoncé. They're rolled into this one urban culture bubble; it's not really to do with, "I'm specifically f - ked off about my country and what's going on in my town." We're very much only showing success to artists who impress American artists, and I'm one of them.
M.I.A.