My directing style is long takes. The longer take I can do, the more I can think of not doing it in cuts, the better.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them anyway!

You're saying, "I'm gonna do this thing," and you have to be aware, as a rational human being, that you may not be allowed back in.

I had a desire to do TV and wanted to get in, in the right way, knowing that I was going to learn a lot, along the way.

Sometimes people can write really great scenes and even a great episode, but they can't see the bigger picture.

I want to make a bunch of small movies. I'm really interested in that for me in the future.

A TV show where all of the characters are trying to figure out what's going on, and the suspense of that, fits my [voice] really well. You feel their frustration, anger and fear, and then, when the reveal happens, their sense of dread or horror, or whatever it is, and I like to paint with those colors.